You may have realized I love history and cemeteries. As my sister and I were visiting family in Forest Hills Cemetery (Utica, NY) we were drawn to this tree.
When I saw this panel I couldn’t believe my eyes. I have been taking photo’s of this tree since 2010. It is very near the grave of John Adams Great Granddaughter Mary Louisa Adams. Johnson and not far from our family. I love trees, I think I was a Druid in another life! Needless to say I just had to make a One Block Wonder using this panel from Quilting Treasures.
First attempt at designing.
When I stitched the rows together, I discovered I needed to add some fabric so the hexies would line up as I wanted them to. Then I had to disguise the added fabric and soften the edges.
I’m pretty happy with it. Below is a downloadable description of how I design a OBW with panels.
At least when it comes to One Block Wonders (OBW) it does. There are so many “Size” questions when it comes to choosing our fabrics. What size repeat should I choose? What size panel? What size strip width should I cut? What size design elements. The first thing I do when choosing OBW fabric is check the size of the repeat. Then I decide what size to cut the strips based on the size of the design elements. If I want to cut my strips 3 3/4″ wide then I want the design in the fabric to be larger than 4″ or I will not be taking the fabric apart.
I was going through my OBW stash and this found fabric I had started to cut up. I don’t know how long I’ve had it. It was The Saturday Evening Post line by Quilting Treasures. I had 4 yards of this striped pattern and another 4 yards of a different layout. I separated the strips and then found the repeat which was 8″ x 23″. I decided it was large enough to align the repeats and cut into 3 3/4″ strips. I could have cut the strips narrower for small blocks but I decided the design elements were large enough for 3 3/4″ strips which make 6″ finished hexagons. I used the ripping method to separate the strips to be sure they were straight. I have to say I don’t like this method. It made the edges wavy and was rough on the fabric. It may have easier to rip but next time I will use ruler rotary cutter,
It is not quilted yet but I do like the design. I used strips from the original fabric for the inner border. The outer border is from fabric number 2. It was also a striped with these small 5″ squares and larger 10″ squares below:
I have eight 10″ blocks of each, that leaves 6 panels for the blocks and 1 for the top with one leftover. Repeats can be from yardage or 6 panels can be used for our hexagon blocks. If I cut the strips 2 3/4″ I will get 3 strips will a little wiggle room left over. If I cut the strips 2 1/2″ wide I will get 4 strips with very little margin for error.
I made this 12″ block from hexagons cut from 1 1/2″ strips.
The photo of the tree is from Forest Hills Cemetery in Utica, NY. It is just above the grave of Mary Louisa Johnson, Daughter of John Adams, granddaughter of John Quincy Adams (6th President of the United States) & Great Granddaughter of John Adams 2nd President of the United States. The panel was 36″ 44″. It was so large it took 12 flowers pins to align it instead of the usual 6. I can’t wait to design it.
I spent last weekend cutting these panels into equilateral triangles. Now I’m ready to stitch away to my hearts content.
The more you practice the better you get at something. The same is true with quilting. This quilt was supposed to be for my son Josh for Christmas (last Christmas). Oh well, better late than never. This panel is called Northern Lights by Abraham Hunter for Elizabeth’s Studio. It claimed to be 36″ x 44″ but is was closer to 39″ wide.
I aligned my 6 panels, cut my hexagons and began designing around the panel. I do not trim the panels before I align them. Once they are aligned I can decide whether to use any of the borders or not. I decided not to use the border in the blocks so when I guesstimated how much to trim off to even the edges , I included the borders.
I start by trying to get an idea of how many hexies will fit across the top and/or bottom of the panel. It is just like making a pieced border to fit around the center of a quilt. The width of the panel should be divisible by the finished size of my hexagon block.
You have two ways to make sure your hexagons will fit across the top and bottom of your panel. You can trim or add fabric to your panel and/or you can also adjust the size of your finished hexagon so it is divisible by the width of the panel.
Strip Width Yeilds
Finished Hexie Size
3.75”
6.0”
3.50”
5.5
3.25”
5.0
3.00”
4.5
2.75”
4.0
2.50”
3.5
2.25”
3.0
2.0″
2.5
I decided to cut my strips 3.75″ for 6″ finished hexagons and trim my panel to 36″ wide. Six hexagons will fit across the bottom and/or top of the panel.
I kept playing with the design.
Once I was satisfied with the design, I stitched the hexagons into four sections.
I laid the top portion of hexies on the panel to help give me an accurate width to trim off. I felt I would not lose an important part of the panel by cutting off the tree.
I trimmed the panel, Trimmed the portion of the hexies so it could be stitched to the panel.
I discovered when the bottom set hexies were aligned with side hexies – I needed to add about 1 1/2″ of fabric.
Now it all fit together wonderfully. I just needed to hide the fabric I added and trim the top and bottom points.
You can’t even tell where I added the fabric or hid it with smaller hexagons. Next I will get quilted!
No moose were hurt in the making of this quilt as Tucker was on duty supervising me the entire time.
Wowza, I just got home from teaching a One Block Wonder workshop to a great group of quilters whom I think of as friends! We gathered at the Strong House Inn in Vergennes, Vermont, where Innkeepers Mary, Hugh & Betsy spoil us with care.
We hit the road running on Thursday afternoon, almost as soon as I got in the room the cutting of the repeats began.
Carol had started hers hexies at home so she designed first, and what an awesome job she did!
I did not get a picture of Sally’s original fabric. It was motorcycles, racing flags and flowers on a bright clear blue fabric. Her design is so very cool. Ride Sally Ride!
Joan’s panel is in deep golds and rich colors. It seems one of her favorite blocks was very plain that she called “the Tortilla”! Can you find it?
Joan’s sister Sharon had a small aboriginal print from an 8″ repeat that she cut 2 1/2″ strips for a smaller hexie. Somehow I missed getting a picture of her final design which was totally awesome.
Deb’s panel is awesome and her hexie design is totally awesomeness!
Gladys’ fabric is so bright and cheerful. Her design is a true celebration of color!
Our very own Kathy Gannon had a fabulous large aboriginal fabric. The light in this photo does not shown how wonderful this design is. Kathy took the darker greens and fashioned a caterpillar crawling across the design. She also made great use of her left over fabric by making several size hexies to add a unique creative flair to her quilt. I can’t wait to see it finished.
Wonderful Jane found her fabric strips needed to be cut smaller to make best use of the design. She thought she would never get to the end of sewing her Mardi Gras hexies together.
Martha started with a great panel and came up with a very creative design. She loving calls some of her blocks “desert plates” that surround the center of light hexies.
Anne was not too sure about a One Block Wonder Retreat, but she went along with her sister Martha’s choice. What a completely awesome job she did. She is calling this quilt “Moon over Kyoto”!
Me at the end of the day laying in my bed exhausted!
What a great group of quilting friends. I miss you guys already!
I’ll be back at the Strong House Inn October 24, 25, 26 & 27, 2019 for “Everything You Wanted to Know about the Tucker Trimmer, But were afraid to Ask” workshop. We will make at least 4 blocks showcasing what units you can make, a table runner and a wall hanging, so make your reservations soon! Happy Quilting everyone.
I am very goal oriented. Today is December 23rd and is One Block Wonder Day for me. Tomorrow I bake!
I used Plume for my example in my post “Using Panels in a One Block Wonder”. I also used it this fall in several OBW workshops. I wanted to get it finished so it wouldn’t get too beat up.
I also cut out two more OBW projects.
I’m going to use this panel in workshops to show how I integrate the blocks and the panel. It measures about 13″ x 20″ and will be much easier to work with in class than Plume. It is called Dreamscapes by Ira Kennedy for Northcott. I actually bought 14 panels, 7 panels for the class example and another 7 panels so I can finish one for me.
I also cut 6 of these spectacular panels that measure 34″ by 40″. I got 8 strips from these panels which yielded about 144 blocks. This is called Abraham Hunter for Elizabeth’s Studio’s.
Not a bad days work finishing Plume and cutting out two more OBW’s.
Of course I was supervised by Tucker, as always! Happy Holidays everyone!
Have you seen some of the wonderfully creative One Block Wonders (OBW) made using precut panels? If you haven’t you should join the Facebook group “One Block Wonder Quilt Forum”! This is my third OBW using panels and I wanted to share how I put them together.
My last OBW using panels “The Heron”, was so much fun I couldn’t wait to make the next one. Start by purchasing 7 Panels. One to be incorporated into the top and 6 to be aligned for making the hexagon blocks.
The process is same whether you are using yardage or panels. The only difference is the repeats are already cut for you. I don’t trim the panels, I just press them and layer them assuring they are all going in the direction. Align them as directed in Maxine Rosenthal’s book One Block Wonders or One Block Wonder Encore.
Once the repeats/panels are aligned, trim one long edge so all the layers are ending in the same place. This panel has a good size design, so I cut my strips 3 3/4″ wide by Width of Fabric (WOF). Then using my ruler with a 60 degree line I cut my equilateral triangles and made my blocks. Once the blocks are sorted by predominate color it is time to design.
I know that when I cut my strips 3 3/4″ wide, my finished hexagon block will measure 6″ wide. I squared up the panel and measured the width. This panel after squaring up was 23″ wide. This means 3 finished hexagon blocks would measure 18″ and 4 finished hexagon blocks would measure 24″ wide. At this point I had two choices, trim the panel to 18″ wide or add fabric to make the panel 24″ wide. I decided to add fabric that I will hide later. You can decide to center your panel or offset it in any way.
I place the panel on my design wall and start the designing process. I always place my blocks on the design wall so the opening is north and south.
I have established that I will need four blocks wide across the top and the bottom. How deep it goes depends on me. I chose 4 blocks wide and 3 blocks deep on the top, and 4 blocks wide and 2 blocks deep on the bottom.
When placing the blocks on the side of the panel, every other block remains whole, while everything other is a half of a block. I don’t remove the half until I’m sure the block will remain there, I just fold it in half.
When I am satisfied with the design I number the rows as always and stitch the rows together in four groups: the top, bottom, right side & left side. I think of this as a giant block that has a rectangle in the center and will be constructed using a partial seam.
Decide whether to attach the top or bottom first. I am going to attach the top rows first by trimming the points that will be stitched to the panel, leaving a 1/4″ seam allowance.
Once I have stitched the top rows to the panel I need to choose which side to attach next, matching up dog ears as you would when joining the rows and stitch three quarters of the way down (partial seam).
By using a partial seam, it allows you to match up the dog ears of the bottom of the side rows. I will them mark where the panel hits the bottom rows, add a 1/4″ seam allowance and stitch to the bottom and then finish the partial seam.
It is now easy to stitch the remaining side rows to the panel matching the dog ears at the top and bottom. I have not finished this top yet as I’m teaching several classes soon and wanted to have a good visual example to show the class.
Now to hide my added fabric.
I made sure I had several left over blocks. I stitched the two halves together, pressed the seam open and using my ruler, trimmed 1″ off every side. This reduces my hexagon to about 4″ wide.
I use a Fusible Knit Interfacing, cut a square slightly larger than the hexagon. Place the bumpy side of the interfacing with the right side of the hexagon. Stitch around the hexagon using a 1/4″ seam allowance. Trim off the excess interfacing and snip a hole about 1″ wide.
Turn the hexagon right side out. Now the fusible ‘bumpy side is on the outside. Finger press the edges to flatten it out. This is a great way to get a perfect finished edge. Once I have decided where to place my smaller hexagons, I can use my iron and press them in place and finish them by stitching them down.
See how well the small hexagons hide my added fabric? I will post this OBW once I finished it.
I was closely supervised while making this OBW by my quilting buddy Tucker!
I had this fabric for quite awhile. It is called Paris by Timeless Treasures. I really loved it and wanted to make a One Block Wonder (OBW) with it. While I was making it I wasn’t sure if I liked it for a OBW. Up until today I didn’t care for it. I was sure it would end up gifted. But after finally getting finished and photographed – I love it!
It had a 24″ repeat and the print wasn’t too small. Sometimes you have to wait till the quilt is put together to decide if the fabric worked or not.
I put it on the daybed in Tuckerville, (Tuckerville is my quilt studio) This is where Tucker (the Mayor of Tuckerville) keeps an eye on me.
It is fun to look at how the hexies came together.
Tucker approved!
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It took me awhile to get a design I liked! Now onto the next project!
The Artisan Spirit, Water Garden fabric in this post was given to me by Northcott Fabrics for the Creators Club.
This is my 63rd One Block Wonder, and I love it! It came out better than I had anticipated. This OBW started as a 28″ x 42″ panel.
When choosing fabric for a One Block Wonder (OBW) I look for a large repeat and a large design in colors that I like. OBW’s require 6 repeats of fabric plus more if you want to put the original fabric in the border. With a panel, the repeat is pre-determined. I bought 7 panels, one to integrate into the top of the quilt and 6 for the blocks.
The process starts with aligning your repeats, evening up one end and cutting them into 3 3/4″ WOF strips. With a 24″ repeat I get 6 strips, but this had a 28″ repeat. Bonus, I got 7 WOF strips. I was able to cut equilateral triangles for 127 .hexagon blocks
There are several 60 degree rulers out there. I prefer to cut my triangles using a 6″ x 12″ Olfa ruler with a 60 line.
Each stack of six triangles is a kaleidoscope giving you 3 choices on how to stitch your block together. I have free, detailed video tutorials available here on my site and on YouTube that guide you through the process of making a One Block Wonder. Plus you should check out Maxine Rosenthal’s books, One Block Wonder’s, One Block Wonders Encore, One Block Wonders Cubed and One Block Wonders of the World (2 of my OBW’s are included in that book).
Usually I wait till all my blocks are sewn before going to the design wall. I was so excited that every few blocks I had to start designing. When constructing OBW blocks, you stitch 3 triangles together, pressing all seams open and then sew the other 3 triangles together. DO NOT sew the center seam. Simply overlap the halves at the center and pin it. My goal with this panel was to design it so it seemed the colors were swirling right off the panel.
Once you have a design you like it’s time to sew the blocks into rows.
Un-pin the blocks one row at a time and sew into rows, press all seams open. I love my pressing stick. It makes it much easier to press all the seams open without disturbing what was previously pressed.
Stitch your rows together. I love my Clover Fork Pins. They are thin and grip and hold the fabric in place.
Did I tell you to press all seams open? That pressing stick really helps.
Putting together a One Block Wonder made using a panel in the quilt top is a little trickier than with just stitched rows. I divided rows into four sections to attach them to the panel. It is like making a log cabin block. I wanted the rows to attach in certain places so color seemed as though it continued right off the panel. I began by trimming the bottom section first and attaching it to the panel.
I could now attach the rows to the right to the panel, using a partial seam and leaving room to adjust the top section of triangles and then add the rows to left of the panel.
I trimmed the edges of the quilt to square it up. I love it, but still wanted to soften the panel edges.
I did not use all the blocks in the quilt top design. I sewed the left over blocks together and trimmed them to make smaller hexagons. I randomly placed them along the edges of the panel and appliqued them down.
The finished quilt measures 60″ x 68″. I did not feel it needed a border. Thank you to Northcott Fabrics and Water Garden designer Ira Kennedy. I really love this quilt.
For OBW inspiration check out the Facebook page “One Block Wonder Quilt Forum”. I am available to teach One Block Wonder Workshops.
I am having so much fun! I don’t even have all the blocks designed yet, I keep going to the design wall. This panel is Artisan Spirit, Water Garden by Northcott. I am making it as part of Northcott’s Creative Club. I can’t wait to finish it! Have you ever made a One Block Wonder using panels?
